GENREALITY

Archive for the 'The Business of Writing' Category



Thursday, September 2nd, 2010 by Candace Havens
When Opportunity Knocks…

I sometimes wonder if I didn’t get into the world of fiction because of curiosity. I mean, I know the story of how all this craziness began. I tripped at a party and embarrassed the hell out of myself. Ran to a corner where friend stood to hide and we started talking about books. At some point in the conversation she said, “You should write a romance novel.” I don’t even remember in what context that was, but that germ of an idea stuck in my head.

When I came home I was curious to see if I could do it. I’d written the biography “Joss Whedon: The Genius Behind Buffy.” Actually, I’d written the guts, my publisher Glenn Yeffeth made it real book. I’d been curious to see if I could pull that off too. I honestly didn’t know when I began these projects if I could do them.

But I’m the kind of person who likes to accept almost any opportunity that comes her way, especially when it comes to books. Back to that first story… I came home and for the next two weeks I spent every hour I wasn’t working on the day job or taking care of two young boys, working on that book.

I remember the moment when I realized I’d found my “real” dream job. I’d written a scene where the lead wasn’t sure what to do about the man in her life. She cared for him, but didn’t think he would ever really understand what she was. My eyes teared and I typed and a lump formed in my throat. Everything in that scene felt so real. That’s when I knew I wanted to write fiction.

If I hadn’t let my curiosity take over, I might never have discovered this love for writing fiction. Sure, some days I might wish I hadn’t, especially the ones where I get 20 hours of sleep over a five-day period. But for the most part I love what I do. Taking that leap of faith is one of best things I’ve ever done for myself.

The same sort of thing happened with moving to Harlequin. I’d been friends with editor Kathryn Lye for years. She is just one of those people I adore. During RWA (The big convention for romance writers) we usually try to get together. Sometimes we’d watch new pilots so she could see trends. Other times we’d talk about everything from books to life as we know it.

A few summers ago we were in San Francisco and had breakfast. Once again we were talking about everything and nothing. I’m not sure how the subject came up, but she asked me what I was working on next. I told her I was in the mood to do something different. I wanted to do a spy version of “Women’s Murder Club.” It was an idea that had been mulling around in my head for a long time.

She said that would be the perfect sort of thing for Blaze and that I should consider writing for them. I was shocked. I’d never even thought about it, but I would have give anything to work with her. (She’s a phenomenal editor and I’ve already learned so much from her.) Several months later I was writing “Take Me if You Dare” for Harlequin. It’s one of the best things I’ve ever done.

There were challenges again. I’d never written third person. I’d never been in a guy’s head for POV. I’d never written a book without magic of some kind. I was CURIOUS to see if  I could even do it.

As a writer it’s important to challenge yourself and dive into new things. It’s good to be curious and to accept opportunities when they come your way. I have this saying, “Throw yourself out there and see what happens. You never know what’s going to work.”

I’m curious if there was ever a time when you took a leap of faith and it worked out? Tell me about it, I really want to know.

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Wednesday, August 18th, 2010 by Sasha White
Looking For Work?

Bob’s missing otday so I’ thought I’d share some of the things I found when surfing the net this week.

Check out these Calls For Submissions, you might find your next project!

The Gloaming Magazine is looking for speculative fiction and poetry for our upcoming October issue. Length: 2500 words max. or 3 pages poetry. Payment: 1 cent word for fiction and $5/poem. Halloween themed stories will receive special attention. Deadline: September 15, 2010. SUbmission Guidelines: HERE
Call For Submission found on Places For Writers

The Velvet Chamber is has a very cool Call For Submission for an anthology. All the information is on the diebar of the blog, you have to look for it a bit, but basically, this is what she’s looking for.
“Stories that radically revise stereotypes of “bad women” in the Bible, in myth and in fairy-tales. Stories that aren’t afraid to be literary, transgressive, dark, and sexy. Think: Lilith, Medea, the Wicked Stepmother, the Evil Witch, Pandora, Eve, crones, sibyls, fates, muses. Contemporary adaptations are fine. Mythical adapations equally welcome.”

Last but not least, my buddy Delilah Devlin is going to be editing her first short story collection and she’s looking for submissions!
GIRLS WHO BITE is a collection of Lesbian Vampire Eroica that will be published by Cleis Press. Check out the Details HERE.

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Monday, July 19th, 2010 by Carrie Vaughn
Author Signing Questions

A quick and dirty mid-traveling post.  Basically, a question, or rather a series of questions on the same basic topic:  Why do you go to an author’s book signing?  Or if you don’t, why not?  If you do go, what are you looking for in the experience?  What do you hope to get out of it?  What details make the experience a good one?  What can ruin it for you?  Do you like when the author reads from his or her work?  If so, do you prefer them to read something already published or from a not-yet-published piece?  Are Q&A’s useful?

Can you tell I leave on my very first book tour tomorrow?

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Monday, June 7th, 2010 by Carrie Vaughn
June is Audiobook Month

This week I’m going to put in a plug for somebody else.  June is Audiobook Month, sponsored by the Audio Publishers Association.  See also audiobookcommunity.com.

I have to be honest, I hadn’t thought much about audiobooks because I don’t listen to them often myself.  The one time I really did was the weekend I was stuck in bed with a broken collarbone and couldn’t physically hold a book.  But that right there goes to show you how incredibly useful they can be — a lifeline to people who really really need them.

Then my own books came out in audio formats last year, and I suddenly started learning a lot more about them.  (Like I started learning about romance when my novels started getting cross-promoted as romance.)  I learned that lots and lots of people love audiobooks, and many of my readers were thrilled to have them in that form.

From my perspective, this is fabulous.  The more ways readers — and listeners — have to enjoy my books, and the happier they are about it, the happier I am.

It should come as no surprise that like a lot of other aspects of the business, the author doesn’t have a whole lot of say in how things get done in audio publishing.  I didn’t know who was going to be reading my books, and I didn’t have a say in it. (Marguerite Gavin reads all the Kitty novels, and in most people’s opinion does a fine job.)  One place where we do have a say is in the contract — abridged or unabridged?  If you’re negotiating for an abridged audiobook, the contract should state that you get to approve the abridged version of the script.  Fortunately, mine are unabridged, which I think is awesome.

What about you?  Audiobook fan?  Not so much?  What do you look for in a good audiobook?

The Kitty audiobooks are published by Tantor Media.  They’ve got some clips to listen to on their website, here.

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Monday, May 17th, 2010 by Carrie Vaughn
Statistics

I’m about two weeks from a novel deadline, which means I’m a little fried.  I’m reading through the draft now and filling in holes and brackets, all those places where I didn’t quite know what to do so I moved on.  I do that a lot, I’m discovering.  On the plus side, now that I have a pretty good idea of what the whole book looks like, I have a much better idea of what needs to go into most of those holes.  Excellent!

But a thoughtful blog post is going to have to wait.  So I’m going to point to other people’s blogs.  In the writing business we talk a lot about anecdotes, a lot of it drawn from personal experience, but we don’t often find hard data.  Over the last couple of years, I’ve found more and more writers are on a quest for hard data, in many cases to disspell some of the myths. (Like how much money a bestselling author really makes.)  How based in reality are some of these myths?  Do you really need an agent before you sell a novel?  What really is the average advance for a first novel?  And so on.

I expect to see more of these informal polls with their numeric, quantifiable results, in the future.

Here’s Megan Crewe on how important connections really are to getting published.  Answer: not really.  62% of respondents landed an agent with no prior connection to that agent.  72% sold to an editor they had to prior connection to.

Tobias Buckell ran a couple of polls a few years ago:  How many novels did you write before selling one? (32% of respondents sold their first novel.  That means 68% didn’t sell the first novel they wrote.)  And another surveying average novel advances.  Meaty stuff there.

And I’ve linked to this before: Jim Hines’s recent survey about various aspects of first novel sales.

Dealing with statistics always has pitfalls.  How broad was the subject sample?  What’s the margin of error?  Are you drawing the correct conclusion?  But having hard numbers regarding all the various of ways of breaking into the business, and what kind of careers people have after the break in, is useful.

One thing I definitely want to point out as a conclusion from all these various surveys — there’s more than one path to publication.  Agented, unagented, connected, unconnected, breaking in with shorts stories, focusing on novels — just about all of it’s worked for someone.

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